There are a couple of Santana best-of compilations out there, and even a few mastersound gold-plated CDs, but this collection is as good a place as any for a newcomer to explore. It contains the band's three essential charters--"Black Magic Woman," "Evil Ways," and "Oye Como Va"--along with some lesser hits. Santana broke barriers, making ethnic-influenced music palatable to the mainstream, but this set doesn't sound like a history lesson. Few bands have ever made better music for driving on a hot summer day, and this CD is ideal for blasting out the windows of your car on a crowded thoroughfare. --Charles R. Cross
Mid-priced compilation featuring 15 of the guitar legend's absolute finest instrumental works, including 'Samba Pa Ti','Europa (Earth's Cry Heaven's Smile)', 'I Love You Much Too Much', 'Life Is A Lady/ Holiday', 'Blues For Salvador' & 'Soul Sacrifice'. 1997 Sony release.
The Arista debut of Carlos Santana and band gives fans of the soulful guitar vet two albums in one, but it's a decidedly good-news, bad-news proposition. First, there's a fine collection of late-'90s-model Santana--tastefully tooled songs driven by Latin jazz and Afro-Cuban rhythms ("[Da Le] Taleo," "Africa Bamba," "Migra," "Primavera," and the emotionally charged instrumental "El Farol") that allow Carlos plenty of elbowroom for his passionate soloing. Then there's the collection of tracks featuring a lineup of de rigueur alternative and hip-hop stars, including Dave Matthews, Everlast, Rob Thomas, Lauryn Hill, Wyclef Jean, and Eagle Eye Cherry. To their credit, Matthews ("Love of My Life") and Eagle Eye Cherry ("Wishing It Was") muster enough chemistry to make the fusion work. But the rest of the collaborations feel like an unnecessary stretch to reach out to a younger demographic that El Jefe has little trouble attracting on his own terms. --Jerry McCulley
By the time Santana arrived on the San Francisco scene in 1968, the Grateful Dead's freeform antics were already legendary. But Santana was a jam band of another order--fueled by Latin rhythms, blues, bebop, and straight-ahead rock. Having set the audience at the 1969 Woodstock festival on its collective ear, the band did the same for the nation with its self-titled debut, released later that summer. Songs such as "Evil Ways," "Jingo," and "Soul Sacrifice" contain extraordinary ensemble playing, powered by percolating congas and timbales and topped by the grippingly human cry of Carlos Santana's guitar. The 1998 reissue of the album contains three bonus tracks recorded live at Woodstock: "Savor," "Soul Sacrifice," and "Fried Neckbones." --Daniel Durchholz
Santana's 1970 follow-up to their Woodstock-propelled smash '69 debut found leader Carlos Santana further expanding his San Francisco group's already broad musical boundaries. To wit: two hit singles that emanated from opposite ends of the spectrum--"Black Magic Woman," originally written and recorded by English blues-rock guitarist Peter Green and Fleetwood Mac, and New York Latin percussionist/dance music king Tito Puente's infectious "Oye Como Va." Tying blues, rock, and salsa together in one pancultural package, Abraxas also featured such standout tracks as "Gypsy Queen" and "Singing Winds, Crying Beasts." The latter underscored the growing Eastern sensibilities of guitarist Santana. --Billy Altman
