Released in 1996, Israel Kamakawiwo'ole, better known as IZ is much a part of Hawaii as the beautiful blue oceans. Every cut on this album you can hear the power and majesty that is IZ, which gets into the listeners' heart and soul. "In Dis Life" serves-up a mix of Hawaiian language standards, two hit tunes from local artists, several fresh new songs and a Jawaiian remake of "Starting All Over Again". A must have if you are a fan of IZ's other material.
The artist behind Facing Future, the top-selling Hawaiian album of all time, the late Israel "IZ" Kamakawiwo'ole was possessed of a voice so sweet, so tender, and so lovely that it continues to deeply stir those who hear it long after he died. Lovingly assembled and notated by producer Jon de Mello, Alone in IZ World is comprised of both alternate versions of Kamakawio'ole's best-loved songs as well as tracks never before heard by the public. The latter category includes versions of "Hanohano No Na Cowboy," the playfully incomplete opening on "Mona Lisa," and "Twinkle, Twinkle Little Star," on which IZ takes a rare turn at harmonizing with himself. In light of his premature passing, devastatingly beautiful alternate cuts of "Starting All Over Again" and "In This Life" are especially poignant. And "Over the Rainbow"--IZ's renditions were heard in Meet Joe Black and Finding Forrester--may never again sound so pure. --Paige La Grone
To gauge the magnitude of Israel Kamakawiwo'ole's popularity in his native Hawaii, consider this: following his death in 1997 (at age 38, attributed to his profound obesity), Kamakawiwo'ole's body lay in state in the state capitol, only the second person to receive such an honor. Kamakawiwo'ole's appeal lies in his love for prestatehood, precondominium Hawaii and the expressiveness of his gently passionate voice, which can float through higher registers with an ease that brings Johnny Mathis to mind. Several selections ("Ka Pua U'i," "White Sandy Beach of Hawai'i," the sun-kissed "La 'Elima") feature Kamakawiwo'ole in a traditional mood, using only his ukulele to adorn the charm of his native lyricism. Others, such as the Jimmy Buffett-like "Maui Hawaiian Sup'pa Man" add playful contemporary touches that suit Kamakawiwo'ole's style. Most touching are the string-backed laments that open and close the album, "Hawai'i '78 Introduction" and "Hawai'i '78," initially a reflection on his father's death, later on the passing of Hawaii's native culture. Best known is his medley "Somewhere over the Rainbow/What a Wonderful World," which played over the closing credits of the film Meet Joe Black. --Terry Wood
