This double CD collects not only Brother Ray's best-known '50s and '60s singles, but some choice semi-obscurities (the 1953 jump blues "Mess Around," his 1959 cover of Louis Jordan's "Don't Let the Sun Catch You Cryin'") that earn their places next to "What'd I Say" and "I Can't Stop Loving You." The man's originality and infectious feeling bleed through on each of these 36 tracks, whether he's transforming "One Mint Julep" or "America the Beautiful" or collaborating (separately) with Willie Nelson and Chaka Khan. --Rickey Wright
The fact that Genius Loves Company will be Ray Charles's final new album inspires an unavoidable blue feeling. But it's also a happy reminder that the man spent the last months of his life at work doing what he loved. The overall effect of these dozen duets is autumnal and smooth. Brother Ray is on point and cruising here. Fine moments abound--you can hear his delight even in the rather stiff company of Diana Krall and Natalie Cole. His voice sounds a bit frayed by ill health at times, but it also allows for great performances like the slyness behind the ache in his version of the old soul hit "Hey Girl" with Michael McDonald and a grand "Crazy Love" with Van Morrison. Potently, he and Gladys Knight remind us of the continued timeliness of Stevie Wonder's "Heaven Help Us All." Its best moments make Company one more essential purchase for Ray Charles fans. --Rickey Wright
