For haters eager to see Kanye hit a sophomore slump--no such luck. Late Registration can't replicate the novelty of last year's College Dropout, but otherwise, this is an impressively more mature and labored-over album. Lyrically, Kanye's only improved a notch but musically, the album sounds incredible, especially with co-producer Jon Brion helping polish the songs to perfection. Tracks like "Heard 'Em Say" (featuring Maroon 5's Adam Levine) and "Hey Mama," are richly textured in their soulfulness while the flint-edge of "Crack Music" and "Gone" (feat. Cam'ron) will appeal to the street-oriented. There's a few duds on here--the sickly-sweet, syrupy "Bring Me Down" (feat. Brandy) being one of the worst offenders--but when the album's good, it's very, very good. In short, Kanye's detractors may not be swayed in their resistance to his charms but not only will his past supporters be rewarded but Late Registration has enough appeal to earn new crowds of fans. --Oliver Wang
Kanye West's third in a whimsical trilogy of "scholarly" albums, Graduation wears its predecessors' badges of success on its sleeve. Matriculation has its rewards, apparently, and it's time to take stock. Lyrically, there's plenty of self-congratulation to attend to, but the real fun comes in the collabs, and West chooses co-conspirators like a kid in a candy store--John Legend ("Good Life"), Coldplay's Chris Martin ("Homecoming"), Mos Def and the Section Quartet (both adorable choices for the foreboding "Drunk and Hot Girls")--and plucks samples with A-list braggadocio: Elton John, Steely Dan, Daft Punk, Can, Michael Jackson, Public Enemy. Nothing here quite captures the superlative symbiosis of West's past best beats (think "Gold Digger"), but the central motif remains: No one ever accused Kanye West of being too cool for school, and Graduation still knows how to party. True, Kanye West will happily whine about the pitfalls at the top of the heap, clear his throat and try to rhyme it with Barry Bonds, or diss fish in a barrel all day, but that can't stop a shameless good time, and Graduation maintains an unshakeable knack for producing it. --Jason Kirk
This debut from the most sought-after hip-hop producer not named Pharrell delivers the unthinkable: West magically sledgehammers home his opinions on taboo topics over beats that are equally daring. The envelope-ripping beats shouldn't come as a surprise given that he's supplied the soundscapes to monster singles by everyone from Alicia Keys ("You Don't Know My Name") to Talib Kweli ("Get By"). What is freakish is that in West's world, rhymes about strippers, God, college life, and guns can co-exist tidily and not undermine each other. On "Breathe In Breathe Out" he raps "I gotta apologize to Mos and Kweli/is it cool to rap about gold if I told the world I copped it from Ghana and Mali"--tongue firmly planted in cheek. On the catchy "Through the Wire," fuelled by a Chaka Khan hook, he spits some impeccable rhymes despite his jaw being wired shut after a near-fatal car accident. Maybe it was this brush with mortality that kicked his lyrics into high gear on "All Falls Down." The skits on here are just as potent, one poking fun at the overeducated underclass that makes a small fraction of the loot he does. With jaw-dropping cameos from Jay-Z, Common, Mos Def, and the Harlem Boys Choir plus the feel-good club tune of the year, "Slow Jamz" featuring Twista, College Dropout is as explosive, contradictory, and complex as rap music gets. --Dalton Higgins
