Having left medieval chant and somewhat later polyphony behind and moved, musically, across the Atlantic with their last CD (American Angels), the women of Anonymous 4 are still exploring. For their move up a few centuries, their impeccable tonal purity remains, but a decidedly American twang has been added to some of the folksier, Southern mountain-based tunes and revival songs. It's as accurate and enchanting as everything else they do. Their sense of history, the when and where of the music they perform, manages to avoid academic stuffiness: this music communicates. Hymns, ballads, and revival songs make up Gloryland, and the 4 have added superb instrumentalists--Darol Anger and Mike Marshall on fiddles, mandolins, and guitars--to the mix on about half the selections. Some of the songs are begun in simple solfege* (fa, sol, la, mi, etc.) and then are sung with the actual text. Some are presented as duets or solos, and "I'm on My Journey Home" is sung by all four women; some are simple, others delightfully rich harmonically. Irresistible. --Robert Levine * Often called "shape-note" singing because the tones were frequently notated in differently shaped symbols for teaching purposes (fa = triangle, sol = circle, etc.).
This follow-up to Anonymous 4's debut "hit," An English Ladymass, is even better. From the choice of repertoire to the proficiency of the singing to the recorded sound, this is a standard-setting production. The 23 works--plainchants, carols, songs, and motets--invoke various aspects of the Christmas story: the visitation of the angel Gabriel, tributes to the Virgin Mary, gifts of the Magi, and hymns of praise for the birth of Christ. The sound is stunning: resonant yet intimate, warm yet vibrant. And while you can hear the individual character of each voice, together these four women make a sound of uncommon purity and beauty. The technical facility is evident with each closing phrase, each perfect unison. Critics are advised to jealously reserve such words as outstanding, excellent, and superior. But this is one of those recordings that deserve all those descriptions. --David Vernier
